15.3.08

Perzlauer Berg

This is it folks. The final piece in the Berlin series. Like I said before I'm trying out some new techniques, so there's a significant chance you'll see some Berlin stencils passing by with some of those techniques applied to them. Make sure to hit this blog to see what's happening with that.
wooden panel: 75 cm wide, 90 cm high

3.2.08

Berlin Collages


The power of color and layering.
top; two wooden panels: 30 cm wide, 75 cm high
bottom; wooden panel: 82 cm wide, 60 cm high

Brandenburger Tor

Oh boy did I have a busy week completing this stencil among other things. By accident I discovered a new technique and to be honest, this was a welcome surprise. It needs some perfecting but in time it might be a nice addition to the basic stencil technique.
wooden panel: 62 cm wide, 50 cm high

19.1.08

KulturBrauerei

Here we go. The second one in my Berlin series. Prenzlauer Berg is a former borough of Berlin situated in the eastern part of the city. In 2001 Prenzlauer Berg was combined with the former boroughs Pankow and Weissensee under the name of Pankow. After German reunification in 1990 Prenzlauer Berg soon attracted a lot of young people with alternative lifestyles.
wooden panel: 40 cm wide, 50 cm high

11.12.07

Berliner Dome

Sometimes, just sometimes, visiting a [inspiring] city can have a major impact on your life. Berlin did this for me on a couple of occasions. It changed the way I looked at certain things. You might have experienced that yourself. It can be hard at some moments. But believe me, in the end it's all worth it. So I would suggest to live for these moments and you will not regret it.
This is my first piece in a series of 4. I hope to finish the others soon, but again I need some time.
wooden panel: 62 cm wide, 50 cm high

14.11.07

Work in Progress (BerlinerDome)

This is a first cutout in a series of 4 beautifull buildings I'll be making in the coming months. The Decay-series will take a bit longer then I expected, so you have to wait a bit longer for that to be completed.

28.10.07

Staircase




Commission for housing association Portaal
Concrete staircase: 80 cm high, 280 cm wide

22.10.07

Mantelzorg@Work



People who look after an ill, frail or disabled family member, friend or partner in combination with their work, have little time for themselves. This type of volunteer aid never stops; it is 24/7. We should be proud of these working caretakers. This time-lapse video is part of the Dutch volunteer aid campaign called Mantelzorg@work. The aim of the campaign is to communicate more knowledge for this combination of people doing a daily job and providing unpaid care for relatives or friends. This way, we want to create familiarity and discussion about the subject among employees, in order to convince employers to create a solution for their caring workers. http://www.werkenmantelzorg.nl

Collaborative project: Lensink van Berkel Communications, Raadgever en Partners, Networks Unlimited

9.9.07

Decay part one

Part one in a series of three inspired by the theme 'Decay'
wooden panel: 55 cm wide, 40 cm high

26.8.07

Commission Roelof Pot

Exchange-commission with photographer Roelof Pot
wooden panel: 120 x 120 cm

7.8.07

The Lord's Love

Not to long ago there was a heated argument in the Netherlands about a certain poster portraying a young female in a bikini which was believed to be degrading and offencive towards women. About 2 weeks ago I saw a lot of religious posters in one of the largest trainstations in the Netherlands depicting a passage from the Bible, which struck a nerve...

...Loosely translated the text reads: I'am THE light of the world. Who follows ME will never wander in darkness, but live in the light.
canvas: 50 cm wide, 70 cm high

On a personal note:
I want to congratulate the person who only took down the canvas and left the plack in the lower right corner behind, with being the new owner of my work. Please treat it with respect.

28.7.07

Running Horse

Eadweard Muybridge (April 9, 1830 – May 8, 1904) was an English-born photographer, known primarily for his early use of multiple cameras to capture motion, and his zoopraxiscope, a device for projecting motion pictures that pre-dated celluloid film strip still used today.

15.7.07

NAi exhibition



Corporate Colonialism
exhibition by invitation from Netherlands Architecture Institute (NAi)
june 30th – august 26th
canvas: 160 cm wide, 160 cm high; 220 cm wide, 160 cm high

SWAT

as multinational conglomerates build up their self-enclosed, self promoting worlds, they create new and varied possibilities for conflict of interest and censorship
wooden panel: 54 cm wide, 122 cm high
text: Klein, Naomi, 2001, No Logo, London, Harper Collins Publishers

Straightjacket

freedom without opportunity is a devil's gift (noam chomsky)
wooden panel: 122 cm wide, 94 cm high
text: Klein, Naomi, 2001, No Logo, London, Harper Collins Publishers

Corporate Headquarters part one

over time copyright laws have been transformed from their original purpose of regulating the publishing industry to instead regulating its custumers, artists and audiences
wooden panel: 75 cm wide, 110 cm high
text: Liang, Lawrence, 2004, Guide to Open Content Licenses, Rotterdam, Netherlands, Piet Zwart Institute

Corporate Headquarters part two

i want to make the public aware of something they do not quite know that they know – or have them feel that way. (...) it is about transferring information, but at the same time a certain lack of specificity
wooden panel: 75 cm wide, 110 cm high
text: Gibson, William, 2003, Pattern Recognition, London, Viking Publishers

CocaBells part one


what is being betrayed are the central promises of the information-age: the promises of choice, interactivity and increased freedom.
wooden panel: 240 cm wide, 42 cm high
text: Klein, Naomi, 2001, No Logo, London, Harper Collins Publishers

CocaBells part two



or maybe it is the repetition. maybe you have been looking at this stuff for so long that you have read all this into it, and talking with other people who have been doing the same thing.
wooden panel: 180 cm wide, 90 cm high
text: Gibson, William, 2003, Pattern Recognition, London, Viking Publishers